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Sound Diplomacy: Music and Emotions in Transatlantic Relations, 1850-1920

Contributor(s): Gienow-Hecht, Jessica C E (Author)

ISBN: 9780226292151

Publisher: University of Chicago Press

Hardcover
$99.00
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Pub Date: June 1, 2009

Dewey: 306.48420943

LCCN: 2008029175

Lexile Code: 0000

Features: Bibliography, Dust Cover, Illustrated, Index, Table of Contents

Target Age Group: NA to NA

Physical Info: 1.30" H x 9.10" L x 5.90" W ( 1.40 lbs) 352 pages

Descriptions, Reviews, etc.

Description:

The German-American relationship was special long before the Cold War; it was rooted not simply in political actions, but also long-term traditions of cultural exchange that date back to the nineteenth century. Between 1850 and 1910, the United States was a rising star in the international arena, and several European nations sought to strengthen their ties to the republic by championing their own cultures in America. While France capitalized on its art and Britain on its social ties and literature, Germany promoted its particular breed of classical music. Delving into a treasure trove of archives that document cross-cultural interactions between America and Germany, Jessica Gienow-Hecht retraces these efforts to export culture as an instrument of nongovernmental diplomacy, paying particular attention to the role of conductors, and uncovers the remarkable history of the musician as a cultural symbol of German cosmopolitanism. Considered sexually attractive and emotionally expressive, German players and conductors acted as an army of informal ambassadors for their home country, and Gienow-Hecht argues that their popularity in the United States paved the way for an emotional elective affinity that survived broken treaties and several wars and continues to the present.

Brief description:

Jessica Gienow-Hecht is a Heisenberg Fellow of the German Research Council teaching at the University of Frankfurt and the author of Transmission Impossible: American Journalism as Cultural Diplomacy in Postwar Germany, 1945-1955.

Review Quotes: "Undertaking an impressive, exhaustive examination of German and American archives and private collections, and covering major American orchestras and their associations from East Coast to West, Gienow-Hecht has written an absorbing transnational scholarly study of the 'elective affinity' between Germany and America through German musical culture. . . . Each of the seven elegantly written, well-documented chapters delineates social, cultural institutions and informal networking that helped shape the transatlantic affinity. . . . This is a model of interdisciplinary work."--Choice-- "Choice"

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