Description:
Smooth explores the ways in which music has sought to be easy, approachable, comforting and beguiling in its accessibility.
From easy listening and exotica in the 1950s through jazz fusion, new age music, ambient and chill out, K-Pop, AOR and MOR, Japanese city pop and performance of high emotion alongside the warm and mellow bath of adult contemporary, Smooth analyses what easy listening can be across a range of often very poorly-defined genres. Global in scope, Smooth covers the music of the culture industry as aspiring to the universal and timeless, and evaluates how easy (and eased) listening works and how it affects the listener.
Brief description: Paul Hegarty is Professor of French and Francophone Studies at the University of Nottingham, UK. He is the author and editor of 11 books that span critical and cultural theory, rock, experimental and noise music, as well as audiovisual art including Noise/Music (Bloomsbury, 2007), Rumour and Radiation (Bloomsbury, 2014) and Annihilating Noise (Bloomsbury, 2020). He is also Co-editor of Bloomsbury's Ex: Centrics series.