Description: An innovative reading of Baudelaire's poetry and criticism in dialogue with the aesthetic theory of Theodor Adorno.
Brief description: Joseph Acquistois Professor of French at the University of Vermont, USA. His books include Reading Baudelaire with Adorno: Subjectivity, Dissonance, Transcendence (Bloomsbury 2023), Proust, Music, and Meaning: Theories and Practices of Listening in the Recherche(2017), and The Fall Out of Redemption: Writing and Thinking Beyond Salvation in Baudelaire, Cioran, Fondane, Agamben, and Nancy(Bloomsbury 2015).
Review Quotes:
"Readers [of this book] are left, as Acquisto intends, with a renewed sense of the artwork's agency in the face of its historical conditions, having been presented with compelling evidence in the form of Acquisto's thorough reconfiguration of the dissonance, subjectivity, and transcendence." --Symploke
"Extraordinarily successful ... By doing the work of attending to Baudelaire so closely, Acquisto provides two valuable services: he provides the close readings so often lacking from Adorno's texts, and he reveals depths of a dialectic in Baudelaire's thought, a dialectic that the poet himself (wrongly) invited his readers to qualify as mere contradiction." --H-France Review "In this masterful book, Acquisto provides an original perspective on the thought of both Baudelaire and Adorno. Focusing on the notion of esthetic dissonance, Acquisto draws on the resonances between Adorno's criticism and Baudelaire's poetic practice, forming a constellation that enriches our understanding of art, music, politics, subjectivity, and modernity." --Patrick Bray, Professor of French Literature, University College London, UK "Effecting a rigorous and sophisticated encounter of Adorno and Baudelaire, Acquisto demonstrates convincingly the potential of philosophically informed readings of poetry in general and of Baudelaire in particular. With careful and sustained attention to configurations of subjectivity in dissonance, fluidity and incompletion, and introducing, through the question of dissonance, complications to such concepts as totality, unity, and transcendence, Acquisto raises both poetry and philosophy to higher powers of analysis and interpretation and offers some remarkably original readings of some of Baudelaire's most fraught and complex poetic works: 'A Celle qui est trop gaie, ' 'Le Rêve d'un Curieux, ' 'Le Crépuscule du Soir, ' 'L'Héautontimouroménos' 'Le Confiteor de l'Artiste' and many others. A brilliant and compelling study." --Alain Toumayan, Professor of French and Francophone Studies, University of Notre Dame, USA