Description: A minute-by-minute analysis of Steven Soderbergh's film The Limey (1999), examining its innovative narrative and editing techniques, as well as its thematic explorations of revenge, regret, and memory.
Brief description: Brandon Harris is a contributing editor at Filmmaker Magazine and co-founder, with the director Shaka King, of I'd Watch That, a production company. His writing has appeared in The New Yorker, The New Republic, VICE, The Guardian and N+1. He authored the acclaimed memoir, Making Rent in Bed-Stuy (2017) and the acclaimed debut feature, Redlegs (2012).