Description:
A symphony of Bradford's large-scale canvases, installations and videos illustrating how Black bodies move within or in spite of systems of prejudice
American artist Mark Bradford's (born 1961) expansive practice is based on the dynamics of movement within the prism of racial identity. Through textured paintings, satirical videos and installations imbued with layers of history and social critique, he urges contemplation on the mobility of identity and societal frameworks.