Description:
Novelist Bohumil Hrabal (1914-97) was born in Brno, Czechoslovakia and spent decades working at a variety of laboring jobs before turning to writing in his late forties. From that point, he quickly made his mark on the Czech literary scene; by his death he was ranked with Jaroslav Hasek, Karel Capek, and Milan Kundera as among the nation's greatest twentieth-century writers. Known for writing about political questions with humor and vivid expressiveness, Hrabal also was given to experimentation--his early novel Dancing Lessons for the Advanced in Age, for example, consists of a single extended sentence.
Pirouettes on a Postage Stamp carried Hrabal's experimentation to the field of autobiography. On its surface a verbatim record of an oral interview conducted by Hungarian journalist László Szigeti, the book confuses and confounds with false starts, digressions, and philosophical asides. Yet despite all the games and distractions, Hrabal's personality shines through, compelling and unforgettable, making Pirouette on a Postage Stamp an unexpected treat for any lover of Czech literature.
Brief description: Bohumil Hrabal (1914-97) was born in Brno, Czechoslovakia, and studied law. By his death, he was ranked among the greatest Czech writers of the twentieth century. His novel Closely Watched Trains was turned into an Academy Award-winning film.
Review Quotes:
"Pirouettes on a Postage Stamp marks a kind of transition from scholarship to belles-lettres: it is a book length interview of Bohumil Hrabal (1914-97) by a Hungarian admirer, the journalist László Szigeti.... That Szigeti plays a passive role does little harm: Hrabal is perfectly capable of taking the ball and running with it. Indeed, the Hrabal he gives us is more the garrulous Hrabalesque narrator than the actual, private Hrabal.... Hrabal was an autodidact when it came to literature and philosophy, but...he took his Rabelais, Baudelaire and Dostoyevsky, his Socrates, Tertullian, Kant, Hegel, Kierkegaard, Heidegger, Jaspers and Lukács (to say nothing of Lao Tsu) seriously, and the comments he makes on them here remind me of the extended, highly sophisticated commentaries I heard him make during the two days I once spent in his house in Kersko. The narrators' philosophical riffs are distillations not distortions of their masters' voices, resting as they do on Hrabal's solid knowledge of the sources."
--Michael Henry Heim "Slavonica"