Description:
This book presents the many facets of Swiss photographer Balthasar Burkhard (1944-2010). Burkhard's work combines a sensitive understanding of the body as sculpture and the photographic image as a canvas, making him one of the pioneers in translating photography as a monumental "tableau" into contemporary art. This comprehensive book coalesces Burkhard's early role as a chronicler of the contemporary art of his time, especially as the main photographer for Swiss curator Harald Szeemann, his conceptual redefinition of photography together with other artists and finally his emancipation as a photo artist.
Review Quotes: With a series of texts by Abigail Solomon-Godeau, Tom Holert, Martin Gasser, Thomas Seelig, and Florian Ebner, we see how Burkhard's practice evolved over the second half of the 20th century, from documenting the art world to portraits of nature and animals.--Belle Hutton "AnOther"