Description:
In recent years, the presentation and communication of contents of faith that are valuable to create identities through the audio-visual media of theatre, at a time when there was hardly any other kind of 'mass media', has received increasing attention. The present volume, which collects the results of a symposium of the Oswald von Wolkenstein-Society, draws conclusions from current scholarship dealing with religious plays, and it extends the results by using a distinctively interdisciplinary perspective. The papers consider media, performance and language aspects of the plays as well as their social, institutional, regional, and religious or political contexts.
