Description: Examining the resurgent interest in painting and the proliferation of new digital media in recent years, this generously illustrated book delineates painting's complex relationship with information technology.
Review Quotes: "This book (and the show that accompanied it, which first opened at Munich's Museum Brandhorst in 2016) set out with the broad goal of "revis[ing] the history of painting since 1960." Shockingly, for a legacy so deeply chronicled, it succeeded. Painting 2.0 effectively resuscitated a medium that had long risked "marginalization," as art historian David Joselit put it in an interview with ARTnews, and it presaged a wave of figurative painting that would come out of Europe and America in the years since." --Artnews