Description:
The 'figure' is a key category of early modern art. Following on
from its theoretical delineation in ancient philosophy, the rhetorical
potential of the 'figure' - which co-determined its iconographic
reception, its "vivacità", and also its virtual dimension - underwent a
significant reactivation in the visual arts of the early modern period.
The authors reveal fresh perspectives on the pictorial figure at that
time by analysing its semiotic significance in relation to the artistic
material and the interrelationship between mental representation and
material formulation. They analyse formal, functional and
reception-aesthetic aspects of pictorial structures in the context of
the period, and thus contribute to a differentiated understanding of the
figure-ground constellation in the early modern era.
- New perspectives on the pictorial theory of the early modern age
Analyses of works by artists incl. Niklaus Manuel, Peter Paul Rubens,
Philippe de Champaignes, Tizian and Valentin de Boulognes