Description:
Anderson's memorabilia installations, playing card compositions and other object-based works demonstrate the contradictions of a commercial, democratic world
This first comprehensive monograph on Chicago-born, Zurich-based artist Mitchell Anderson (born 1985) spans his broad mixed-media practice since the early 2010s. In his work, he uses objects to evoke residual histories and their latent potentials, forcing contemporary art's discourse to confront its own complicity.