Book Cover

Thomas Struth

Contributor(s): Struth, Thomas (Photographer), Weski, Thomas (Editor), Weski, Thomas (Text by (Art/Photo Books)), Wilmes, Ulrich (Editor), Wilmes, Ulrich (Text by (Art/Photo Books)), Hartmann, Jana-Maria (Text by (Art/Photo Books)), Enwezor, Okwui (Interviewer)

ISBN: 9781942884224

Publisher: Distributed Art Publishers (DAP)

Hardcover
$85.00
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Pub Date: October 24, 2017

Dewey: 779.092

LCCN: 2017946236

Lexile Code: 0000

Features: Illustrated, Index, Price on Product

Target Age Group: NA to NA

Physical Info: 1.30" H x 12.60" L x 10.30" W ( 5.80 lbs) 320 pages

Descriptions, Reviews, etc.

Description: "Since the 1990s, Thomas Struth has been one of the most renowned and influential photographers of the German art scene. A brilliant conceptualist with an unerring eye for color, Struth studied painting under Gerhard Richter and photography under Bernd and Hilla Becher, a combination that decisively influenced his vision. This volume collects more than 120 representative photographs from each series in Struth's oeuvre, including: early street photographs from the 1970s and '80s ('Unconscious Places'); the "Family Portraits" series; the "Museum Photographs"; "Nature and Politics"; the jungle photographs ("New Pictures from Paradise"); and, from his latest series, images from the realm of science. Also included are previously unpublished works from the photographer's archive. The largest and most comprehensive survey of the artist's work to date, this superbly illustrated volume includes scholarly essays by curators Thomas Weski and Ulrich Wilmes, as well as photographer Jana-Maria Hartmann. An interview with the artist by Okwui Enwezor, Director of Haus der Kunst, provides valuable insight into Struth's career and ideas."]c--publisher's description, page 2 of jacket.

Review Quotes: Deceptively simple, conceptually taut works... allowing us to see people wrapped up in an aesthetic experience while we are engaged in some variation of that experience. They overlay various types of viewing, encapsulating those rare moments when words fall away.--Andrew Russeth "Art News"

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