Description: First new translation in 50 years of one of Russia's most beloved--and comic--works of literature.
Review Quotes:
"On the heels of the 20th anniversary of the fall of the Berlin Wall comes a new translation of one of the most beloved and quotable Russian classics--The Golden Calf by Ilya Ilf and Evgeny Petrov. This is the first version based on the complete and uncensored original, which was first serialized in 1931, and, unlike the two very truncated incarnations that came before, finally illuminates in full comedic and insightful glory the work of the writing duo from Odessa (pen names for Ilya Faynzilberg and Evgeny Kataev), whose iconic status in Russian literature is akin to that of Fitzgerald and Hemingway in the U.S."--Kseniya Melnik, The Brooklyn Rail
"Ilf and Petrov's picaresque is packed with intricacies that resist summary. The authors exploit every character and complication to its fullest humor, in a wild tale driven in large part by Bender's rapid-fire language."-By Nicole Rudick, Los Angeles Times
"The Golden Calf was translated into English shortly after its first serialisation in 1931, and then again in the early sixties. This new translation is the first English version to have gone to print unexpurgated. Translators Konstantin Gurevich and Helen Anderson have delivered a text full of glib energies and stylistic verve. While choosing to forego some of the language-based humour in the original text, Anderson and Gurevich show equal sensitivity to the novel's satirical mirroring of a new model society's hubris, and to its evocative vignettes of Socialist Russia."--Nick Terrell, The Ember
"War and Peace, Crime and Punishment, and Doctor Zhivago weigh so heavily on Russian literature than many readers don't realize that there are some truly hilarious Russian novels. This classic picturesque is one of them."--K.H.Cuminskey, Library Journal"For students and scholars who studied Russian literature in the three decades of so before the collapse of communism, the works of Ilf and Petrov are remembered fondly not so much for their artistic viability as for their comic relief from the grim and grimy fiction in the early years of Soviet power." --Thomas Gaiton Marullo, University of Notre Dame