Description:
Like the movie of the same name, the poems in Rancho Notorious are peopled with a colorful cast of characters, all born of the fertile imagination of Richard Garcia. Through narratives, lyric poems and dramatic monologues, Garcia's characters demonstrate that the idea of self is fluid, one identity easily swapped for another. These are poems with heart, poems that believe that the construction of memory, however fragmentary and inconclusive, is also an act of redemption.
Richard Garcia was born in San Francisco in 1941, the son of a Puerto Rican father and a Mexican mother, and is the author of The Flying Garcias, a collection of poetry, and My Aunt Otila's Spirits, a bilingual children's book. He lives in Los Angeles, California.
Review Quotes: From Library JournalIn his second volume of poetry, Garcia (The Flying Garcias) focuses on the horrific: a man bites the heads off chickens, a husband imagines his wife dying in a plane crash, a driver traps a pedestrian against a bridge railing. The speakers alternate between male and female and young and old (though most are middle-aged, lonely, weary, and misunderstood). The driving force behind these impersonal portraits seems to be the "suspicion that some/ small thing you did not do/ has sealed your fate." Taken individually, these poems might fascinate (attested to by excellent publication credits), but collected, they are agony personified. In one of his perhaps most revealing moments near the book's end, the speaker admits that "pursuing happiness/ is like pursuing a murderer it has its depressing moments." There is a sameness here: most poems are two pages long, with prosaic but well-crafted lines, and most speakers are thoroughly believable. But is this really what one wants from a book of poetry? Not recommended. Rochelle Ratner, formerly with "Soho Weekly News," New York