Description: Previously published: London: Jawbone, 2010.
Brief description:
John Einarson is a widely respected rock music historian and author of more than twenty books, including critically acclaimed biographies of Neil Young, Buffalo Springfield, Gene Clark, Randy Bachman, Ian & Sylvia, and The Flying Burrito Brothers. He has written for Mojo, Uncut, Goldmine, Discoveries, Record Collector, and Classic Rock, and is a frequent contributor to the Winnipeg Free Press. John wrote the Juno-nominated Bravo television documentary Buffy Sainte-Marie: A Multimedia Life and CBC TV's The Life & Times Of Randy Bachman. He has contributed to a number of other television productions and has hosted several CBC radio series. He lives with his wife in Winnipeg, Canada, where he teaches a popular course on rock'n'roll history at the University of Winnipeg and posts podcasts on a number of music history themes under the title John Einarson Presents. He was recently inducted into the prestigious Order of Manitoba for his pioneering work documenting the province's rich music history.
Review Quotes:
"Arthur Lee was the sixties' first Black rock star, ruling the Sunset Strip when Jimi Hendrix was still an R&B sideman. Einarson draws on Lee's unfinished memoirs in this frank, propulsive account of Love's majesty and dysfunction." -- David Fricke, Rolling Stone
"Much of what Einarson uncovers is new or not widely reported, and the cumulative details and generally impressive research about the chameleonic Lee's life (lives?) make for a damn fascinating read." -- Falling James, LA Weekly
"Arthur Lee was a man of constant contradiction whom John Einarson makes clear was his own worst enemy - a man who pissed away talent, good will, and friendships, and yet left an indelible mark on classic rock. Einarson does an amazing job of capturing the pros and the cons - or more accurately the cons and the pros - of the mercurial Arthur Lee." -- Bill Wasserzieher, Ugly Things
"A vivid, photographic sense of how the Strip (and the adjacent Canyon) was the center of the universe for a brief, incandescent moment, as Love went about demolishing musical and racial boundaries and opening Doors for the more ambitious - and cautious - bands that came in their wake." -- Dann Baker, Brooklyn Rail