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Picture Perfect: Landscape, Place and Travel in British Cinema Before 1930

Contributor(s): Dixon, Bryony (Author), Porter, Laraine (Author), Blom, Ivo (Contribution by), Brown, Simon (Contribution by), Burton, Alan (Contribution by), Christie, Ian (Contribution by), Cowan, Jude (Contribution by), Dixon, Bryony (Contribution by), Eaton, Michael (Contribution by), Fletcher, Tony (Contribution by), Gledhill, Christine (Contribution by), Keiller, Patrick (Contribution by), McLaren, Judith (Contribution by), Moody, Paul (Contribution by), Porter, Laraine (Contribution by), Sargeant, Amy (Contribution by)

ISBN: 9781905816019

Publisher: University of Exeter Press

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Pub Date: March 16, 2007

Dewey: 791.43620941

LCCN: 2007532768

Lexile Code: 0000

Features: Bibliography, Index, Table of Contents

Target Age Group: NA to NA

Physical Info: 0.48" H x 9.07" L x 6.47" W ( 0.53 lbs) 160 pages

Descriptions, Reviews, etc.

Description:


The fifth in a series of volumes from the annual British Silent Cinema Festival held in Nottingham (and the first to be published by Exeter), this collective study offers an original treatment of the relationship between pre-1930 cinema and landscape.


Brief description:

Simon Brown is Associate Professor in Film and Television at Kingston University. His main areas of research are early cinema, British cinema, colour cinematography and contemporary American television. He joined Kingston University in 2004 after spending a decade at the BFI National Film and Television Archive, sourcing and restoring old films.

In 2004, in addition to teaching at Kingston, he was Senior Research Fellow for The London Project, a year-long AHRB funded project researching the history of the British Film Industry in London from its inception to 1914.

He has written about and taught a range of Film, TV and Media related subjects such as Film History and Technology, National Cinemas including Britain, China and Hong Kong, Cult Film and Television, Horror, Censorship, Documentary and the History of Non-Fiction Film, Archiving and the Media Industry as well as Contemporary American Film and Television.

Review Quotes:


'Virtually everything in this admirable volume deserves to be noticed.' (Screening the Past, Issue 22, Jan. 2008) 'It is the first of these proceedings to be published by the University of Exeter Press, which offers a new and more attractive design, and the contributons themselves are equally good' (Early Popular Visual Culture: 6,3. November 2008)


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