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Beehive Metaphor: From Gaudi to Le Corbusier

Contributor(s): Ramírez, Juan (Author)

ISBN: 9781861890566

Publisher: Reaktion Books

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Pub Date: May 1, 2000

Dewey: 720.1

Lexile Code: 0000

Features: Illustrated, Price on Product, Table of Contents

Target Age Group: NA to NA

Physical Info: 0.65" H x 9.23" L x 6.16" W ( 0.95 lbs) 176 pages

BISAC Categories:

Architecture | Criticism

Series: Essays in Art and Culture

Descriptions, Reviews, etc.

Description: Since time immemorial, bees have been associated with all manner of virtues. The beehive has served as the model for an ideal society, while honey and wax have provided the basis for countless positive metaphors of sweetness and productivity. The natural architecture created by bees in their hives can be said to approach perfection. In The Beehive Metaphor, Juan Antonio Ramírez shows how this lucid modular structure had a considerable influence on the architects and artists who founded the Modern movement. Models from both traditional and "modern" or "rational" apiculture were studied and reinterpreted by such key figures as Gaudí, Wright, Mies van der Rohe, Le Corbusier and Beuys.

Inspired by his own father's obsession with bee-keeping - which wiped out the family's fortune - Ramírez examines the complex ideological, political and artistic repercussions of apian metaphors, thereby enhancing our understanding of the relationship between ecology, animal husbandry and architecture.

Brief description: Juan Antonio Ramirez is Professor of History of Art at the Universidad Autónoma de Madrid and the author of several books on art, architecture and film, including Duchamp: Love and Death, even (Reaktion, 1998).

Review Quotes: "His fascinating account describes how the social life of bees has been co-opted by social movements on both the left and the right, and celebrated either for their rigid hierarchies, with everyone knowing their place under the ruling monarch, or as symbols of community spirit and harmonious, cooperative work. . . . Read this book, and you'll never look at a tall building in quite the same way again."-- "New Scientist"

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