Description: This book examines the way in which the work of British artist Hurvin Anderson has developed since the late 1990s to incorporate installation, prints and photographs within the idiom of painting.
Review Quotes: 'Hurvin Anderson is in many ways a painter both of our time and for our time, able to lend abstraction and representation in equal measures of surety and wonder. Prokopow offers the first substantial exploration of Anderson's nearly three-decade practice in a manner that replicates the deep examination that his paintings require of and ignite for the viewer. This is a thoughtful, careful text that has superbly brought forth a painter of similar description.' - Courtney J. Martin