Description:
This timely interdisciplinary volume brings academic research into dialogue with women who have experienced the asylum process, activists, and NGOs. It reveals the obstacles that women are confronted with during asylum processes, when relaying their testimonies that involve violence. Women's voices are marginalized and often erased because of multiple barriers within refugee status determination procedures and asylum and refugee reception systems. Conditions need to change so that women can voice their testimonies and know that they will be listened to and heard, and that their voices and experiences will "count" within asylum processes and lead to effective protection. This book is a site of knowledge exchange between women survivors and activists, and policy makers. It contains first-hand accounts of the asylum processes by women survivors and activists and offers examples of how the arts and humanities might open up avenues of expression and testimony for women seeking asylum through practices of co-production, creating safe spaces of representation for women to talk about their lived experiences of violence and exile but also, and crucially, resistance and resilience.
Brief description: Georgina Colby is Reader in Modern and Contemporary Literature at the University of Westminster. Her research addresses the politics of avant-garde writing and aesthetic space in contemporary socio-political climates, in particular the relation between avant-garde poetics, activisms, and social justice. As PI she led the Feminist Representations: Asylum, Voice, and Testimony project (2018-2022), funded by the British Academy/Leverhulme Trust. Her publications include Kathy Acker: Writing the Impossible (Edinburgh University Press, 2016), and, as editor, Her Silver-Tongued Companion Reading: Reading Poems by Harryette Mullen (Edinburgh University Press, 2023) Reading Experimental Writing (Edinburgh University Press, 2019), The Contemporary Small Press: Making Publishing Visible (Palgrave, 2020), and Death and the Contemporary (a special issue of New Formations, Lawrence and Wishart, 2012). Her articles have appeared in journals such as Contemporary Literature, New Formations, Textual Practice, Journal of Narrative Theory, Women: A Cultural Review, and Comparative Critical Studies. She is the Series Editor of Edinburgh Critical Studies in Avant-Garde Writing and Edinburgh Foundations in Avant-Garde Writing (Edinburgh University Press).