Description:
This ambitious and exciting study analyses the use of colour language in the work of Stefan George, Rainer Maria Rilke, Wassily Kandinsky and Else Lasker-Schüler to open up an understanding of how poetic language works and to ask how we read poetry.
Review Quotes:
Reading Colour is a hugely ambitious project: in asking why and how poets write colour, Rey Conquer offers a tour de force of close reading in early twentieth-century poetry, but also tells a fascinating story about how we read poetry - indeed, how we read. Full of fascinating insights and brilliant close readings - from George's surfaces to Rilke's balance, Kandinsky's red corners and Lasker-Schüler's blue rooms - this is a stunning guide to the inner architecture of the poem from the first to the last gorgeously written page. (Karen Leeder, Professor of Modern German Literature, Fellow of New College, Oxford)
Rey Conquer colours the reading and writing of poetry with vivid specificity. Again and again the life of colour words in poems is shown to reveal not only how the visual fares in linguistic refraction, but also poetological truths concerning both modernism and the universal condition of poetic language. (Michael Minden, Jesus College, Cambridge) Rey Conquer's Reading Colour is a unique and original study of the ways four of the twentieth-century's most gifted and influential German-speaking poets and artists (Stefan George, Rainer Maria Rilke, Wassily Kandinsky, and Else Lasker- Schüler) thought about - and through - colour in their verse. This lucid and persuasive monograph encourages us to rethink and reimagine (their) poetry in new and exciting ways. (Nicholas Martin, Director of the Institute for German Studies, University of Birmingham)