Description: Creative industries are a growing and globally important area for both economic vitality and cultural expression of industrialized nations. This volume examines their institutional, categorical and structural dynamics to provide an overview of new trends and emerging issues in scholarship on this topic.
Review Quotes: This volume brings together 10 essays by management and other scholars from Europe and the US, who examine social structural and categorical aspects that impact creative industries, focusing on the production and evaluation of creative products in architecture, art markets, advertising, music, and the wine industry. They discuss broker styles in interactions with others in creative projects, creative leadership processes for social impact, how investors impact the art world, the concept of style and how styles impact evaluations of an organization's creative performance, the influence of status and social distance in evaluative processes in advertising, the role of authenticity and algorithms in digitized music, category longevity in the area of swing music, and default expectations about champagne producers. The book is based on the Creative Industries conference held in July 2016 in Edinburgh, Scotland.--Annotation (c)2018 "(protoview.com)"