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Music and Instruments of the Middle Ages: Essays in Honour of Christopher Page

Contributor(s): Knighton, Tess (Editor), Skinner, David (Editor), Clark, Alice V (Contribution by), Kirkman, Andrew (Contribution by), Busse Berger, Anna Maria (Contribution by), Young, Crawford (Contribution by), Fallows, David (Contribution by), Skinner, David (Contribution by), Aubrey, Elizabeth (Contribution by), Leach, Elizabeth Eva (Contribution by), Montagu, Jeremy (Contribution by), Caldwell, John (Contribution by), Polk, Keith (Contribution by), Earp, Lawrence (Contribution by), Colton, Lisa (Contribution by), Ferreira, Manuel Pedro (Contribution by), Lewon, Marc (Contribution by), Everist, Mark (Contribution by), Strohm, Reinhard (Contribution by), Wegman, Rob (Contribution by), Knighton, Tess (Contribution by)

ISBN: 9781783275564

Publisher: Boydell Press

Hardcover
$190.00
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Pub Date: October 16, 2020

Dewey: 780.902

LCCN: 2019565776

Lexile Code: 0000

Features: Bibliography, Illustrated, Index

Target Age Group: NA to NA

Physical Info: 1.50" H x 9.60" L x 6.70" W ( 2.45 lbs) 510 pages

Series: Studies in Medieval and Renaissance Music

Descriptions, Reviews, etc.

Description: Essays on important topics in early music.

Christopher Page is one of the most influential and distinguished scholars and performers of medieval music. His first book, Voices and Instruments of the Middle Ages (1987), marked the beginning of what might be called the"Page turn" in the study and performance of medieval music. His many subsequent publications, radio broadcasting (notably the series Spirit of the Age) and performances and recordings with his ensemble Gothic Voices changed the perception of and thinking about music from before about 1400 and forged new ways of communicating its essence to scholars as well as its subtle beauty to wider audiences.
The essays presented here in his honour reflectthe broad range of subject-matter, from the earliest polyphony to the conductus and motet of the thirteenth and fourteenth centuries, the troubadour and trouvère repertories, song and dance, church music, medieval music theory, improvisation techniques, historiography of medieval music, musical iconography, instrumental music, performance practice and performing, that has characterised Page's major contribution to our knowledge of music of the Middle Ages.

Brief description: MANUEL PEDRO FERREIRA is Professor of Music at the Universidade Nova de Lisboa, Portugal.

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