Description: This collection uncovers how music criticism contributed to national and transnational preoccupations and agendas.
Brief description: RACHEL MOORE is Lecturer in Music, Cardiff University.
Review Quotes: [T]he first detailed study of its kind . . . . Ultimately, what emerges from [this book] is not only a thought-provoking and highly variegated impression of the roles and activities of French music criticism in the 1920s and 30s but also a clear sense of the importance of the study of the discourse of music criticism within musicology that is also part of a broader context of sociopolitical and cultural history.--Alexander Carpenter "NOTES, THE QUARTERLY JOURNAL OF THE MUSIC LIBRARY ASSOCIATION"