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Changing Creative Writing in America: Strengths, Weaknesses, Possibilities

Contributor(s): Harper, Graeme (Editor)

ISBN: 9781783098804

Publisher: Multilingual Matters Limited

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Pub Date: October 11, 2017

Dewey: 808.04207117

LCCN: 2017023814

Lexile Code: 0000

Features: Bibliography, Index

Target Age Group: NA to NA

Physical Info: 0.60" H x 8.20" L x 5.60" W ( 0.65 lbs) 198 pages

Series: New Writing Viewpoints

Descriptions, Reviews, etc.

Description:

In this compelling collection of essays contributors critically examine Creative Writing in American Higher Education. Considering Creative Writing teaching, learning and knowledge, the book recognizes historical strengths and weaknesses. The authors cover topics ranging from the relationship between Creative Writing and Composition and Literary Studies to what it means to write and be a creative writer; from new technologies and neuroscience to the nature of written language; from job prospects and graduate study to the values of creativity; from moments of teaching to persuasive ideas and theories; from interdisciplinary studies to the qualifications needed to teach Creative Writing in contemporary Higher Education. Most of all it explores the possibilities for the future of Creative Writing as an academic subject in America.

Brief description:

Graeme Harper is Professor of Creative Writing and Dean of The Honors College, Oakland University, USA. He has published numerous books on creative writing, as well as novels under the name Brooke Biaz. He is Chair of the Creative Writing Studies Organization and edits New Writing: The International Journal for the Practice and Theory of Creative Writing (Routledge).

Review Quotes:

This book arrives at a fortunate moment for anyone interested in Creative Writing Studies. As issues of disciplinary identity and institutional positioning are being brought in sharp focus by changes in universities and the culture at large, this book raises important questions about potential futures for Creative Writing. The authors, coming from a variety of disciplinary backgrounds, survey, but also push against, the boundaries of theory, policy, and writing practice to explore the landscape of Creative Writing in the contemporary university in ways that are rigorously intellectual and bountifully creative.

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