Description: Is there a limit to the liberties a writer can take with the real world?
Brief description: Michael Crummey is an internationally celebrated novelist and poet. His novel, Galore, won the Canadian Authors Association Award for Fiction and the Commonwealth Prize (Canada and Caribbean Region), and was short-listed for the International IMPAC Dublin Award and the Governor General's Award. Sweetland was a national bestseller and a finalist for the Governor General's Award in 2014. His most recent poetry collection is Little Dogs. He lives in St. John's, Newfoundland and Labrador.
Review Quotes: "Fiction writers influence the way people see the world around them. And with that influence comes authorial responsibility.... Crummey offers a double proviso to the debate over cultural appropriation. He recommends impatience with the blinkered novelist who doesn't deign to learn about the world he or she is describing. And perhaps more importantly, Crummey asks that a generous dose of tolerance, be given to that minority of one, the author, who is doing his or her best to tell us a story."--Susan Swan, Literary Review of Canada
"[Crummey examines] Butch Cassidy and the Sundance Kid, Wayne Johnston's The Colony of Unrequited Dreams, Lisa Moore's Open and Alligator, Annie Proulx's The Shipping News, Howard Norman's The Bird Artist, and Crummey's own River Thieves. These parallels bring into relief the question of whether there is something greater to be served by deviations from the factual... All creative writers appropriate the world to some extent--and might get things wrong--but sensitivity to an evocative, true, and aesthetically meaningful depiction is key." [Full article at https: //canlit.ca/article/parallel-stories/]--Tracy Whelan