Description:
New York Times Bestseller
An NPR Best Book of the Year
Winner of the Chicago Tribune Literary Award
Finalist for the Marfield Prize, National Award for Arts Writing
"Reads the way Mr. Glass's compositions sound at their best: propulsive, with a surreptitious emotional undertow." --Corinna da Fonseca-Wollheim, New York Times
Brief description: Born in Baltimore in 1937, Philip Glass studied at the University of Chicago and the Juilliard School. The composer of operas, film scores, and symphonies, he performs regularly with the Philip Glass Ensemble and lives in New York.
Review Quotes: Glass, a key figure of musical minimalism, was one of the first composers to reject a distinction between 'ethnic' music and Western classical music, and in this memoir he explains how he came to view a composition not as a linear narrative but as progressive rhythmic sequences.-- "The New Yorker"