Book Cover

Collision: The Contemporary Art Scene in Houston, 1972-1985 Volume 19

Contributor(s): Gershon, Pete (Author)

ISBN: 9781623496326

Publisher: Texas A&M University Press

Hardcover
$65.00
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Pub Date: September 13, 2018

Dewey: 709.76414110

LCCN: 2017058027

Lexile Code: 0000

Features: Illustrated

Target Age Group: NA to NA

Physical Info: 1.50" H x 11.10" L x 8.80" W ( 4.89 lbs) 480 pages

BISAC Categories:

Art | History | 20th and 21st Century | American

Series: Sara and John Lindsey the Arts and Humanities

Descriptions, Reviews, etc.

Description: Winner, 2019 Ron Tyler Award for Best Illustrated Book, sponsored by the Texas State Historical Association (TSHA)

In this expansive and vigorous survey of the Houston art scene of the 1970s and 1980s, author Pete Gershon describes the city's emergence as a locus for the arts, fueled by a boom in oil prices and by the arrival of several catalyzing figures, including museum director James Harithas and sculptor James Surls. Harithas was a fierce champion for Texan artists during his tenure as the director of the Contemporary Arts Museum-Houston (CAM). He put Texas artists on the map, but his renegade style proved too confrontational for the museum's benefactors, and after four years, he wore out his welcome.

After Harithas's departure from the CAM, the chainsaw-wielding Surls established the Lawndale Annex as a largely unsupervised outpost of the University of Houston art department. Inside this dirty, cavernous warehouse, a new generation of Houston artists discovered their identities and began to flourish. Both the CAM and the Lawndale Annex set the scene for the emergence of small, downtown, artist-run spaces, including Studio One, the Center for Art and Performance, Midtown Arts Center, and DiverseWorks.

Finally, in 1985, the Museum of Fine Arts presented Fresh Paint: The Houston School, a nationally publicized survey of work by Houston painters. The exhibition capped an era of intensive artistic development and suggested that the city was about to be recognized, along with New York and Los Angeles, as a major center for art-making activity.

Drawing upon primary archival materials, contemporary newspaper and magazine accounts, and over sixty interviews with significant figures, Gershon presents a narrative that preserves and interweaves the stories and insights of those who transformed the Houston art scene into the vibrant community that it is today.

Review Quotes: "For any reader interested in the history of Houston during the final quarter of the 20th century, and most particularly in the intersection between the arts, general culture, higher education, and the startling evolution of this remarkable city's success, Pete Gershon's latest contribution is invaluable. Thoughtfully written, clearly stated, and full of wonderful anecdotes, it is a luxurious reading adventure through some of the Southwest's most intriguing decades." --Chancellor, University of Houston, Retired, Chancellor Emeritus - California State University System, Former President & CEO J Paul Getty Trust
--Barry Munitz (8/8/2017 12:00:00 AM)

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