Description: Throughout the late 1980s and early 1990s, a radical cultural scene emerged in cities across the globe, finding expression in the galleries, nightclubs, and bedrooms of New York, London, Los Angeles, and Rome. In Lyle Ashton Harris: Today I Shall Judge Nothing That Occurs, the artist's archive of 35 mm Ektachrome images are presented alongside journal entries and recollections by contributors, coalescing in a presentation of what Harris has described as "ephemeral moments and emblematic figures . . . against a backdrop of seismic shifts in the art world, the emergence of multiculturalism, the second wave of AIDS activism, and incipient globalization."
Brief description: Lyle Ashton Harris has cultivated a diverse artistic practice ranging from photography and collage to installation and performance art. His work explores intersections between the personal and the political, examining the impact of ethnicity, gender, fame, and desire on the contemporary social and cultural dynamic. He received his MFA from the California Institute of the Arts, and attended the Whitney Museum of American Art Independent Studies Program. His work has been exhibited worldwide, including at the Whitney; Solomon R. Guggenheim Museum, New York; 52nd Venice Biennial, and São Paulo Biennial in 2016, among others. He is the recipient of the 2014 David C. Driskell Prize from the High Museum of Art, Atlanta, and a 2016 fellowship from the John Simon Guggenheim Memorial Foundation. He currently lives and works in New York City and is an associate professor of art at New York University.