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Letter Killers Club

Contributor(s): Krzhizhanovsky, Sigizmund (Author), Turnbull, Joanne (Translator), Emerson, Caryl (Introduction by)

ISBN: 9781590174500

Publisher: New York Review of Books

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Pub Date: December 6, 2011

Dewey: FIC

LCCN: 2011020476

Lexile Code: 0000

Features: Bibliography, Price on Product - Canadian, Price on Product, Table of Contents

Target Age Group: NA to NA

Physical Info: 0.42" H x 8.00" L x 5.07" W ( 0.36 lbs) 144 pages

BISAC Categories:

Fiction | Literary | Classics | Satire

Series: New York Review Books Classics

Descriptions, Reviews, etc.

Description: "Writers are professional killers of conceptions. The logic of the Letter Killers Club, a secret society of "conceivers" who commit nothing to paper on principle, is strict and uncompromising. Every Saturday they meet in a fire-lit room hung with blank black bookshelves to present their "pure and unsubstantiated" conceptions: a rehearsal of Hamlet hijacked by an actor who vanishes with the role; the double life of a medieval merry cleric derailed by a costume change; a machine-run world that imprisons men's minds while conscripting their bodies; a dead Roman scribe stranded this side of the River Acheron. The overarching scene of this short novel is set in Soviet Moscow, in the ominous 1920s. Known only by pseudonym, like Chesterton's anarchists in fin-de-si'cle London, the Letter Killers are as mistrustful of one another as they are mesmerized by their despotic president. Sigizmund Krzhizhanovsky is at his philosophical and fantastical best in this extended meditation on madness and silence, the word and the soul unbound"--

Review Quotes: "It is now clear that Krzhizhanovsky is one of the greatest Russian writers of the last century."
--Robert Chandler, The Financial Times

"Krzhizhanovsky wanted to perform imaginary experiments with the nature of time and space. Outside, in the streets, the Communist state was busy performing such experiments for real. In response, Krzhizhanovsky's prose has a recklessly unstable tone in which delighted examination of impossible worlds can slip into ferocious political sarcasm. . . . It is a method for investigating how much unreality reality can bear."
--Adam Thirlwell, The New York Review of Books

"A Russian writer whose morbidly satiric imagination forms the wild (missing) link between the futuristic dream tales of Edgar Allan Poe and the postwar scientific nightmares of Stanislaw Lem . . . an impish master of the fatalistically fantastic." --Bill Marx, The World

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