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How to Leave Hialeah

Contributor(s): Crucet, Jennine Capó (Author)

ISBN: 9781587298165

Publisher: University of Iowa Press

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Pub Date: September 1, 2009

Dewey: FIC

LCCN: 2009923717

Lexile Code: 0000

Features: Price on Product, Table of Contents

Target Age Group: NA to NA

Physical Info: 0.60" H x 9.20" L x 5.40" W ( 0.65 lbs) 184 pages

Series: Iowa Short Fiction Award

Descriptions, Reviews, etc.

Description: United in their fierce sense of place and infused with the fading echoes of a lost homeland, the stories in Jennine Capó Crucet's striking debut collection do for Miami what Edward P. Jones does for Washington, D.C., and what James Joyce did for Dublin: they expand our ideas and our expectations of the city by exposing its tough but vulnerable underbelly.

Crucet's writing has been shaped by the people and landscapes of South Florida and by the stories of Cuba told by her parents and abuelos. Her own stories are informed by her experiences as a Cuban American woman living within and without her community, ready to leave and ready to return, "ready to mourn everything."

Coming to us from the predominantly Hispanic working-class neighborhoods of Hialeah, the voices of this steamy section of Miami shout out to us from rowdy all-night funerals and kitchens full of plátanos and croquetas and lechón ribs, from domino tables and cigar factories, glitter-purple Buicks and handed-down Mom Rides, private homes of santeras and fights on front lawns. Calling to us from crowded expressways and canals underneath abandoned overpasses shading a city's secrets, these voices are the heart of Miami, and in this award-winning collection Jennine Capó Crucet makes them sing.

Review Quotes: "What a joy it is to read the work of a writer who has a powerful voice, a sense of humor, and a feeling for local histories. Jennine Capó Crucet's stories start with Cuban American neighborhoods and cultures and then sail off into the direction of the great themes: love, familial bonds, aging, and death. And resurrection. This is a wonderful collection."--Charles Baxter

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