Description:
"The weapon of poetry may be Césaire's greatest gift to a modern world still searching for freedom. As one of the last truly great 'universalists' of the twentieth century, he has had a hand in shaping or critiquing many of the major ideologies and movements of the modern world--Marxism, nationalism, Pan-Africanism and fascism, among others. All of these ideas are rooted in notions of progress, all are products of modernity, and all fall short when it comes to envisioning a genuinely emancipatory future. Césaire must have known this, which is why more than half a century ago he wrote: 'Poetic knowledge is born in the great silence of scientific knowledge.'" --From the Introduction
Césaire's rich and insightful adaptation of A Tempest draws on contemporary Caribbean society, the African-American experience and African mythology to raise questions about colonialism, racism and their lasting effects.
Brief description:
Aimé Césaire (1913-2008) was a world-renowned poet, essayist and dramatist, whose best known works include Notebook of a Return to My Native Land, The Tragedy of King Christophe and A Season in the Congo. He was the founding editor of Tropiques, which was instrumental in establishing the use of surrealism as a political weapon. He co-formulated the concept of "negritude," which urges Black Africans to reject assimilation and cultivate consciousness of their racial qualities and heritage. Césaire held a number of government positions in his native Martinique, including that of mayor of Fort-de-France.
Review Quotes:
"Césaire's Tempest, in translation by Richard Miller, is a sprightly and song-filled enchantment. The luminous intelligence of Mr. Césaire's meditation on the absurdities of colonialism shines through the antics of the bewildered characters." --New York Times