Description:
The Kunstkammer was a programmatic display of art and oddities amassed by wealthy Europeans during the sixteenth to the eighteenth centuries. These nascent museums reflected the ambitions of such thinkers as Descartes, Locke, and Kepler to unite the forces of nature with art and technology. Bredekamp advances a radical view that the baroque Kunstkammer is also the nucleus of modern cyberspace.
Brief description: Horst Bredekamp, author, is the author of ten books and numerous articles, many of them translated into several languages.
Review Quotes:
"It is a book without a superfluous sentence. One wishes to ask the author for a sequel." --Die Zeit
"Bredekamp's achievement goes well beyond bringing peculiar collections of obstruse constructions and ambitious alchemy to the attention of art historians. By explaining the sources of pictures of the baroque era, he also succeeds in making plausible a world of ideas in which the museum was not yet a locus of highbrow diversion, but a means of gaining insight into the essence of the world. A superb essay." --Frankfurter Allgemeine Zeitung
The Kunstkammer was a programmatic display of art and oddities amassed by wealthy Europeans during the sixteenth to the eighteenth centuries. These nascent museums reflected the ambitions of such thinkers as Descartes, Locke, and Kepler to unite the forces of nature with art and technology. The bizarre inventory of the Kunstkammer--ranging from minerals to exotic plants and animals, statues, and machines--was intended to illustrate the mechanistic order of the universe. Such collections confirmed a belief in the continual evolution of man's god-like power of creativity. Bredekamp advances a radical view that the baroque Kunstkammer is also the nucleus of modern cyberspace. "Horst Bredekamp's elegant, erudite book sheds a flood of new light on the relations between art, science, and scholarship in early modern Europe. Deftly using a vast range of visual and textual sources, Bredekamp establishes the forgotten connections between enthusiasm for the antique and the discovery of nature, classical erudition and technical innovation."--Anthony T. Grafton