Description: Technological failure or essential element of film aesthetics? From auteur cinema to horror to experimental film, Martine Beugnet shows the powerful effects blur can produce.
Brief description: Lindsay Turner is Associate Professor of English and Creative Writing at Case Western Reserve University. She is the author of two collections of poetry and has translated books by Stéphane Bouquet, Éric Baratay, Souleymane Bachir Diagne, Anne Dufourmantelle, Richard Rechtman, Ryoko Sekiguchi, and others.
Review Quotes: Beugnet's ingenious insights seep like a fog into once-crisp categories of film analysis, unsettling notions of blur as visual deficiency. Near-sighted characters, formless smudges, teary and weary vision, and perspectival and atmospheric distortions energize this compelling love song to the affordances of and cinematic predisposition toward visual chaos, vagueness, uncertainty and confusion. Clearly, it's the perfect moment for both cinema and blur.---Karen Redrobe, author of Crash: Cinema and the Politics of Speed and Stasis