Description:
This coursebook is the first full-length study of cinematic "legal medievalism," or the modern interpretation of medieval law in film and popular culture
For more than a century, filmmakers have used the "Middle Ages" to produce popular entertainment and comment on contemporary issues. Each of the twenty chapters in Law, Justice, and Society in the Medieval World represents an original contribution to our understanding of how medieval regulations, laws, and customs have been depicted in film. It offers a window into the "rules" of medieval society through the lens of popular culture. This book includes analyses of recent and older films, avant-garde as well as popular cinema. Films discussed in this book include Braveheart (1995), Kingdom of Heaven (2005), The Passion of Joan of Arc (1928), The Last Duel (2021), The Green Knight (2021), The Little Hours (2017), and The Adventures of Robin Hood (1938), among others. Each chapter explores the contemporary context of the film in question, the medieval literary or historical milieu the film references, and the lessons the film can teach us about the medieval world. Attached to each chapter is an appendix of medieval documentary sources and reading questions to prompt critical reflection.Brief description: Esther Liberman Cuenca is Assistant Professor of History at the University of Houston- Victoria. She is the author of The Making of Urban Customary Law in Medieval and Reformation England. Her essays have appeared in Urban History, The Paris Review, Historical Reflections, Popular Music, and Continuity and Change.
Review Quotes: Law, Justice, and Society in the Medieval World is a sophisticated and accessible collection of essays that puts medieval history and medievalist films into productive conversation with each other. It will be an excellent resource for anyone who wants to better understand the historical contexts for medievalist films and as a model for how to take medievalist film seriously as part of the ongoing project of better understanding medieval history and its reception. The essays are engaging, the variety of topics is excellent and timely without feeling trendy, and the appendices provide the concrete and complex historical context we all need in order to avoid oversimplifying the medieval world.---Usha Vishnuvajjala, author of Feminist Medievalisms: Embodiment and Vulnerability in Literature and Film