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Breaking the Bronze Ceiling: Women, Memory, and Public Space

Contributor(s): Rozas-Krause, Valentina (Editor), Shanken, Andrew M (Editor), Aguilera, Carolina (Contribution by), Badilla Rajevic, Manuela (Contribution by), Coslett, Daniel E (Contribution by), Doss, Erika (Contribution by), Gutiérrez-Monroy, Tania (Contribution by), Herwitz, Daniel (Contribution by), Hite, Katherine (Contribution by), Kroiz, Lauren (Contribution by), León, Ana Maria (Contribution by), Martínez Nespral, Fernando Luis (Contribution by), Montealegre, Pia (Contribution by), Rooney, Sierra (Contribution by), Rozas-Krause, Valentina (Contribution by), Sandler, Daniela (Contribution by), Savage, Kirk (Contribution by), Shanken, Andrew M (Contribution by), Slyomovics, Susan (Contribution by), Sturken, Marita (Contribution by), Su, Amanda (Contribution by), Upton, Dell (Contribution by), Walker, Nathaniel Robert (Contribution by), Widrich, Mechtild (Contribution by)

ISBN: 9781531506384

Publisher: Fordham University Press

Hardcover
$116.00
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Pub Date: May 7, 2024

Lexile Code: 0000

Target Age Group: NA to NA

Physical Info: 0.81" H x 9.00" L x 6.00" W ( 1.28 lbs) 272 pages

Series: Berkeley Forum in the Humanities

Descriptions, Reviews, etc.

Description: Breaking the Bronze Ceiling comprehensively assesses the portrayal of women in public art and offers a fervent plea to address the severe underrepresentation of women in memorials.

Brief description: Daniel Herwitz lived and taught in South Africa during the moment of democratic transition and splits his time between Ann Arbor and Cape Town. He is Fredric Huetwell Professor of Compar-ative Literature, Philosophy and History of Art at the University of Michigan where from 2002 to 2012 he directed the Institute for the Humanities. He has written widely on contemporary art, culture, and politics in a cosmopolitan way, on philosophical aesthetics, and on transitional justice. His latest book is The Political Power of Visual Art (Bloomsbury Academic, 2021).

Review Quotes: Reassesses the role of women in public art, with a particular focus on the lack of female memorials around the world.-- "Publishers Weekly"

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