Description: At the heart of the book is a departure from the obsession with "modernity" that has been so prominent in nineteenth-century cultural studies.
Review Quotes:
'It is is a lavishly illustrated and ambitiously interdisciplinary volume. Ginger's range of references is impressive, flitting between preserved insects from the Americas and brain images from France. Charles Baudelaire and Gustave Flaubert sit with Gustavo Adolfo Bécquer and Augusto Ferrán; Friedrich Nietzsche finds himself in the company of Rosalía de Castro and Juana Manuela Gorriti. London's Crystal Palace stands alongside José Augustín Arrieta's mirror paintings... it succeeds admirably in substantiating its conviction that the inclusion of the Hispanic world in narratives of modernism and modernity enables the identification of resonant patterns of cultural production. Distinctiveness thus transforms the appreciation of similarity, rather than being simply eclipsed by it.'
Modern Language Review
subtle, more incongruous than previously imagined - and 'infinitely richer' for it.'
Romance, Revolution & Reform
'From this new vantage point, both temporality and the concept of modernity are blown out of the water ... [the] broad outlook transcends the limits of what we understand by Hispanism ... and in this quest for the shared and the disruptive, [Ginger] works with pieces of art, turns of language, figures of speech, images from the past and the present, on a surface that as soon opens out to an infinite horizon as it shrinks to a specific time and place.'
Jesusa Vega, Anales de Historia del Arte