Description: "Provides a window into a moment when both phantasmatic and real relationships between straightness and queerness, between blackness and whiteness, and between utopia and dystopia, were in flux; Bowie in the mid-1970s both exemplified and had a hand in creating the complex and contradictory opening of possibilities now seen as the hallmark of that decade"--
Brief description: Glenn Hendler is Professor of English and American Studies at Fordham University, USA, where he teaches courses in US literature and culture, sound studies, and cultural theory. He writes on popular and unpopular literature in the 19th century, film, television, and contemporary cultural politics. He is author or editor of several books, including Public Sentiments: Structures of Feeling in Nineteenth-Century American Literature (2001) and Keywords for American Cultural Studies (2007).