Book Cover

Dark Sound: Feminine Voices in Sonic Shadow

Contributor(s): Ferrett, D (Author), Hegarty, Paul (Editor), Hainge, Greg (Editor)

ISBN: 9781501325809

Publisher: Bloomsbury Academic

Hardcover
$135.00
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Pub Date: May 14, 2020

Dewey: 781.59

LCCN: 2019050932

Lexile Code: 0000

Features: Bibliography, Dust Cover, Index

Target Age Group: NA to NA

Physical Info: 0.63" H x 8.50" L x 5.50" W ( 1.00 lbs) 272 pages

Series: Ex: Centrics

Descriptions, Reviews, etc.

Description: "This book examines the concept of 'dark sound', a strand of contemporary music that links the ideas of death, desire and violence with women's and gender studies"--

Brief description: D Ferrett teaches Cultural Studies, Philosophy and Popular Music at Falmouth University, UK. She has published work on themes of abjection and interviews with Diamanda Galás and Maggie Nicols. As both a theorist and music-maker, D's focus on the voice brings together an interest in critical writing, gender studies and subversive sound practices.

Review Quotes:

"Finally dark music has a woman's voice to challenge the canon with demoniacal laughter, exuberant sophistication and a deliverance from dry analyses and dualisms. This book gives the reader the writing dark music has longed for and deserves, with innovative alchemy and philosophical wonder. This book changes musicology." --Patricia MacCormack, Professor of Continental Philosophy, Anglia Ruskin University, UK

"Intersectional and disruptive, Dark Sound invites us to open our ears to the world that lies in shadows beyond traditional (male, white, heteronormative) listening ranges. The darkened orchestra out there has the power to obliterate the limits of language, ratio and patriarchy, and this fascinating book offers an exciting audio guide to the cacophony of the unsaid and the unheard." --Isabella van Elferen, Professor of Music and School Director of Research and Enterprise, Kingston University London, UK, and author of Gothic Music: The Sounds of the Uncanny (2012)

"From the sirens who transfixed Odysseus to the 'Dark Lady' who prowls through Shakespeare's sonnets, from the ruthless sonic terrorism of Diamanda Galás to state-of-the-art black metal theory, this extraordinary meditation snakes through centuries of shadowy culture to weave together forbidden philosophies of sound, gender, and creativity. It is by turns symphonic, sizzling, and slinky, driven by a tempestuous intellectual energy that gathers obscurities, mysteries, and insurgencies into an unruly hymn - or an unforgiving lament - for the marginalized and defiant voices of the dark feminine." --Nick Groom, Professor of Literature in English, University of Macau

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