Book Cover

Traveling Texts and the Work of Afro-Japanese Cultural Production: Two Haiku and a Microphone

Contributor(s): Anderson, Crystal S (Contribution by), IV, William H Bridges (Editor), Slaymaker, Douglas (Editor), Arimitsu, Michio (Contribution by), Cornyetz, Nina (Editor), Tsutsui, William (Editor), IV, William H Bridges (Contribution by), Cornyetz, Nina (Contribution by), Fellezs, Kevin (Contribution by), Gardner, Tia-Simone (Contribution by), Hakutani, Yoshinobu (Contribution by), Manabe, Noriko (Contribution by), McKnight, Anne (Contribution by), Onishi, Yuichiro (Contribution by), Redmond, Shana L (Contribution by), Sterling, Marvin D (Contribution by), Jr, Dexter Thomas (Contribution by)

ISBN: 9781498505475

Publisher: Lexington Books

Hardcover
$135.00
- +
Buy

Pub Date: June 24, 2015

Dewey: 306

LCCN: 2015009096

Lexile Code: 0000

Features: Bibliography, Dust Cover, Index

Target Age Group: NA to NA

Physical Info: 1.00" H x 9.10" L x 6.00" W ( 1.25 lbs) 302 pages

Series: New Studies in Modern Japan

Descriptions, Reviews, etc.

Description: This book analyzes the complex conversations taking place in texts of all sorts traveling between Africans, African diasporas, and Japanese across disciplinary, geographic, racial, ethnic, and cultural borders.

Brief description: Douglas Slaymaker is associate professor of Japanese at the University of Kentucky.

Review Quotes:

"Traveling Texts and the Work of Afro-Japanese Cultural Production successfully transgresses these disciplinary boundaries, covering a range of topics as eclectic and syncretic as the encounters themselves. . . . The volume shines valuable light on gender relationships traditionally overlooked in Afro-Japanese research, which until recently has tended towards a phallocentric focus on African American male intellectual, artistic, political, and sociosexual encounters with Japanese. . . . This splendid collection propels the discussion of Afro-Japanese encounters forward in important, new, and unexpected directions that point the way for future multidisciplinary scholarship into the intersections of identity, Negritude and Nihonjinron, cultural studies, critical race studies, and much more." --Journal Of The Royal Anthropological Institute

"Traveling Texts is the best book published to date on Afro-Japanese hybridity. The book brims with critical insights into a history of collaboration, exchange, borrowing, and homage perfectly pitched to its subject. From Amiri Baraka's "low coup" poems to Japanese rastafari, the booklistens in on a noisy creolization across the Black Pacific. A brilliant and necessary remix for our times." --Bill V. Mullen, Purdue University

"In addressing what many readers may initially view as a "minor key" of Afro-Japanese encounters, Traveling Texts will quickly convince you of their centrality as phenomena while helping us theorize, understand, and discover intersections that don't simply yield to regnant and often obscuring frameworks like globalization. Thinking through hip hop and haiku to ganguro black face, enka and rap, Richard Wright, Oe and polycultural explorations of race and identity, this collection explores the incommensurable in rigorous, amusing, sometimes breathtaking, and deeply touching ways." --James A. Fujii, University of California, Irvine

"Focusing on African-American and Japanese cultural exchange, Traveling Texts provides a refreshing antidote to the ongoing fixation with Japan and the West/ Japan and Asia as the twin poles by which humanities scholars have approached "Japan in the world." From W.E.B. Du Bois' meditations on the Japanese victory over Russia in 1905 to the embrace of hip hop a century later, these essays engage critical race studies in order to push readers to rethink the social networks, cultural engagements, and traveling texts that constitute transnational Japan. A provocative and path breaking book." --Louise Young, Author of Beyond the Metropolis: Second Cities and Modern Life in Interwar Japan

Worth Considering
Product successfully added to cart!