Description: A follow up to When Rock Met Disco - exploring the intersection of the two genres, covering Bob Marley, The Police, The Clash, the ska revival, Don Letts introduction of reggae to punk bands, and the "dub" techniques on rock records originated by reggae artists.
Brief description: Besides the bestselling American Hardcore, STEVEN BLUSH is also author of American Hair Metal (Feral House), and .45 Dangerous Minds (Creation). Blush also co-produced the eponymous American Hardcore documentary released by Sony Classics, and was the publisher and primary editor of the award-winning Seconds interview magazine. He also writes for Paper and Interview and music-oriented magazines.
Review Quotes:
Reggae may have started in Kingston, Jamaica, but according to Blush, it didn't truly spread around the world until waves of Jamaicans began emigrating to England in the late 1950s. Reggae, he maintains, "spoke in a language that upstart youth could identify with: fierce lyrics, anti-fashion, DIY attitude, and a radical fight for freedom." Blush discusses the roots of reggae before turning to the many sounds of Bob Marley, Millie Small, Prince Buster, Lee 'Scratch' Perry, Jimmy Cliff, Toots and the Maytals, and Desmond Dekker. He then tackles the various forms of reggae, including dub, rock-reggae, and punk-reggae, the latter perhaps best exemplified by the Clash (Joe Strummer and Mick Jones went to Jamaica to write the songs on their second album, Give Em Enough Rope). As musicians on both sides of the Atlantic experimented with reggae, including the Police, Blondie, and Elvis Costello, such 2 Tone label artists as the Specials, the Selecter, the English Beat, and UB40 blended punk, rock, reggae, and ska into a unique sound. Blush's illuminating chronicle ends with an annotated playlist featuring the backstories of classic recordings.