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Transatlantic Anglophone Literatures, 1776-1920: An Anthology

Contributor(s): Nemmers, Adam (Not Available), Hughes, Linda K (Editor), Hakimi-Hood, Heidi (Not Available), Robbins, Sarah Ruffing (Editor), Taylor, Andrew (Editor)

ISBN: 9781474429832

Publisher: Edinburgh University Press

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Pub Date: March 15, 2022

Lexile Code: 0000

Features: Price on Product

Target Age Group: NA to NA

Physical Info: 1.73" H x 9.61" L x 6.61" W ( 2.80 lbs) 808 pages

Descriptions, Reviews, etc.

Description:

This anthology provides a single, convenient volume of diverse primary texts supporting the teaching and research field of Anglophone Transatlantic literature and print culture in the long nineteenth century. Focusing on ongoing and shared concerns and social practices across the long nineteenth century, the book's thematically-organised sections mark major Transatlantic social movements of that era as expressed, negotiated, and recorded through literary production. The Anthology offers a range of tools and texts for innovative thinking, teaching, and exploration. Headnotes provide guidance on how individual selections arose from social and historical contexts and, often, suggest potential pairings with other selections. Annotations create student-friendly identification of key terms or allusions.

Brief description: Adam Nemmers is an Assistant Professor of English at Lamar University in Beaumont, Texas, where he teaches courses in American literature. His research focuses on modernism and multi-ethnic American literature, including recent essays and articles on Passing, Richard Wright, Faulkner, and radio drama. His forthcoming published work will include essays and articles on American protest literature, Southern matriarchy, and the Midwestern Ecogothic, in addition to a monograph on the American Modern(ist) Epic (Clemson University Press, 2021). He is currently at work on a book project about transcolonial American literature.

Review Quotes: Transatlantic Anglophone Literature, 1776-1920: An Anthology pushes productively against the conventional limits of several of its key terms: Atlantic, Anglophone, literature, and anthology. Indeed, it is their reenvisioning of the anthology as a dynamic, interactive form that enables Linda K. Hughes, Sarah Ruffing Robbins, and Andrew Taylor to challenge the parameters of other key terms. By supplementing the print anthology with an open-access digital anthology, the editors have built in the capacity for growth and change. [...] If the Norton Anthologies embodied the weightiness and distinctness of the British and US literary canons, Transatlantic Anglophone Literature captures the rapid expansion of transatlantic literary studies as it has recognized previously marginalized voices and perspectives.--Juliet Shields, University of Washington "ALH Online Review"

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