Description:
Amidst the turmoil of political revolution, the stage directors of twentieth-century Russia rewrote the rules of theatre making. From realism to the avant-garde, politics to postmodernism, and revolution to repression, these practitioners shaped perceptions of theatre direction across the world.
This edited volume introduces students and practitioners alike to the innovations of Russia's directors, from Konstantin Stanislavsky and Vsevolod Meyerhold to Anatoly Efros, Oleg Efremov and Genrietta Ianovskaia. Strongly practical in its approach, Russian Theatre in Practice: The Director's Guide equips readers with an understanding of the varying approaches of each director, as well as the opportunity to participate and explore their ideas in practice. The full range of the director's role is covered, including work on text, rehearsal technique, space and proxemics, audience theory and characterization. Each chapter focuses on one director, exploring their historical context, and combining an examination of their directing theory and technique with practical exercises for use in classroom or rehearsal settings. Through their ground-breaking ideas and techniques, Russia's directors still demand our attention, and in this volume they come to life as a powerful resource for today's theatre makers.Brief description: Dr Amy Skinner is Associate Professor in Co-Production in Mental Health Research in the Institute for Social Justice at York St John University, UK. She specialises in neurodivergence, mental health and creativity, with a background in theatre making and scenography. She has also written about the history of scenography and performance design (for example, her book Meyerhold and the Cubists, longlisted for the 2019 Prague Quadrennial book prize). Amy is particularly interested in the relationship between neurodivergent experience and creative practice, and works particularly on co-produced research with other neurodivergent collaborators.
Review Quotes:
"The book's format is very attractive, consisting of bite-sized sections prefaced by bold, indicative headings interspersed with areas of highlighted text containing advice on ways to match acting theory with directorial practice." --Slavonic and East European Review
"This illuminating collection of directorial case studies drawn from Russia's rich theatrical tradition, promises to challenge contemporary directors forging new careers in theatres much further afield." --Jonathan Pitches, University of Leeds, UK