Description: "Christian metal has always defined itself in contrast to its non-Christian, secular counterpart, yet it stands out from nearly all other forms of contemporary Christian music through its unreserved use of metal's main musical, visual, and aesthetic traits. Christian metal is a rare example of a direct combination between evangelical Christianity and an aggressive and highly controversial form of popular music and its culture. Christian Metal: History, Ideology, Scene is the first full exploration of the phenomenon of Christian metal music, its history, main characteristics, development, diversification, and key ideological traits from its formative years in the early 1980s to the present day. Marcus Moberg situates it in a wider international evangelical cultural environment, accounts for its diffusion on a transnational scale, and explores what religious meanings and functions Christian metal holds for its own musicians and followers. Engaging with wider debates on religion, media and popular culture, Christian Metal: History, Ideology and Scene is a much-needed resource in the study of religion and popular music"--Provided by publisher.
Brief description: Christopher Partridge is Professor of Religious Studies, Department of Politics, Philosophy and Religion, Lancaster University, UK. He is the author of several books, including High Culture: Drugs, Mysticism, and the Pursuit of Transcendence in the Modern World (2018) and Mortality and Music: Popular Music and the Awareness of Death (2015)
Review Quotes:
"Christian Metal provides a welcome new treatment of a music culture understudied by scholars in the fields of ethnomusicology, media studies, and popular music ... and an important entry point for further scholarship." --Sociology of Religion
"Metal, a genre suffused with Christian imagery albeit with a blasphemous twist, spawned its own renegade, Christian metal. Metalhead religious scholar Marcus Moberg presents a detailed and analytically elegant definitive account of this counter-movement, a worthy addition to metal studies." --Deena Weinstein, Professor, Department of Sociology, DePaul University, USA "An invaluable guide to a thriving yet frequently misunderstood subgenre, Moberg's authoritative, insightful work on Christian metal is essential reading for metal scholars." --Jeremy Wallach, Associate Professor, Bowling Green State University, USA "For his text Christian Metal: History, Ideology, Scene, Marcus Moberg has a hard row to hoe, because of the obscurity of Christian metal, and the minimal respect the genre receives, but it's to his credit that he scours the world and the internet in search of this disrespected, neglected musical style. ... Christian Metal is an interesting and necessary look into a musical scene that has been ignored, misunderstood, and misaligned. Kudos to Moberg for undertaking what surely was a daunting task, resulting in a fascinating document about the history and culture of Christian Metal." --Joseph Kyle, The Recoup "...Marcus Moberg's Christian Metal provides a valuable and helpful starting point for scholarship on the phenomenon of Christian metal music specifically, and it furthers our understanding of evangelical popular culture more broadly." --Reading Religion