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Life of Galileo

Contributor(s): Brecht, Bertolt (Author), Ravenhill, Mark (Translator)

ISBN: 9781472507419

Publisher: Methuen Drama

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Pub Date: March 28, 2013

Dewey: 832.912

LCCN: 2013375414

Lexile Code: 0000

Target Age Group: NA to NA

Physical Info: 0.30" H x 7.50" L x 5.00" W ( 0.20 lbs) 96 pages

BISAC Categories:

Drama | European | General | Performing Arts | Theater

Series: Modern Plays

Descriptions, Reviews, etc.

Description: A play that "charts the seventeenth century scientist's extraordinary fight with the church over his assertion that the earth orbits the sun"--Amazon.com.

Brief description: Mark Ravenhill is one of the most distinctive contemporary UK playwrights. He burst on to the theatre scene in 1996 with the huge hit Shopping and Fucking. He has continued to garner critical acclaim for plays that include Some Explicit Polaroids, Mother Clap's Molly House, Shoot/Get Treasure/Repeat, The Cut, Product, pool (no water), Citizenship, Ten Plagues, The Coronation of Poppea, Candide, Faust is Dead, Handbag, A Life in Three Acts, A Life of Galileo and Over There.

Review Quotes:

"Ravenhill has more to say, and says it more refreshingly and wittily, than any other playwright of his generation" --Time Out

"There are few stage authors writing more interestingly than Mark Ravenhill . . . He is . . . a searing, intelligent, disturbing sociologist with a talent for satirical dialogue and a flair for sexual sensationalism." --Financial Times

"The real pleasure of ... Mark Ravenhill's slimmed-down translation lies in the absolute clarity with which [he] put[s] Brecht's masterpiece before us ... the real joy lies in seeing Brecht's timeless debate about scientific morality rendered with such pellucid swiftness." --Michael Billington, Guardian

"Lively and ultimately moving ... Ravenhill's nifty and highly theatrical script, which pares down Brecht's sometimes interminable speeches while retaining their essence" --Charles Spencer, Telegraph

"A sharp new adaptation by Mark Ravenhill that emphasises the dark comedy and diversely rich theatrical inventiveness in a piece that Brecht kept revising" --Paul Taylor, Independent

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