Book Cover

Hip-Hop Turntablism, Creativity and Collaboration (Revised)

Contributor(s): Smith, Sophy (Author)

ISBN: 9781409443377

Publisher: Routledge

Hardcover
$225.00
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Pub Date: March 21, 2013

Dewey: 782.421649

LCCN: 2012030315

Lexile Code: 0000

Features: Bibliography, Index

Target Age Group: NA to NA

Physical Info: 0.50" H x 9.21" L x 6.14" W ( 0.96 lbs) 182 pages

BISAC Categories:

Music | Genres and Styles | Rap and Hip Hop

Series: Ashgate Popular and Folk Music

Descriptions, Reviews, etc.

Description: This is the first book to explore the creative and collaborative processes of groups of DJs working together as hip-hop turntable teams. Focusing on a variety of subjects - from the history of turntable experimentation and the development of innovative sound manipulation techniques, to turntable team formation, collective creation and an analysis of team routines - the book examines how turntable teams have developed new ways of composing music, and defines characteristics of team routines in both the process and the final artistic product.

Review Quotes: 'The book's main strength lies in its final chapter, in which the methods are utilized. It has application for the analysis of both collaborative composition and performance and for the group dynamics of rehearsal as well as for the analysis of turntable routines. Such methods will be useful to academics and students... Smith's book appeals to the academic study of team turntablism at a deep level.' Music and Letters 'Hip-Hop Turntablism, Creativity and Collaboration offers precise, relevant and innovative descriptive tools to analyse the musicology of DJ hip-hop works, and also the creative processes used. From this point of view, the author has achieved her objectives: taking seriously the aesthetic methodology of DJs and demonstrating that hip-hop music is worthy of analysis'. Volume! (Translated from French) ' ... little has been published on the details of turntablism and Sophy Smith's book is, therefore, both timely and welcome. Smith's work is very accessible and takes steps to cover the basics systematically and clearly... much of the book will be useful to undergraduates and sections will serve as a useful summary of key topics for scholars. Perhaps more importantly, the book may serve to enliven important debates in popular music scholarship'. Popular Music

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