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Modern British Playwriting: The 1990s: Voices, Documents, New Interpretations

Contributor(s): Sierz, Aleks (Author), Saunders, Graham (Contribution by), Rees, Catherine (Contribution by), Reid, Trish (Contribution by), Roberts, Philip (Editor), Ridley, Philip (Contribution by), Boon, Richard (Editor), Ravenhill, Mark (Contribution by)

ISBN: 9781408181331

Publisher: Methuen Drama

Hardcover
$150.00
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Pub Date: January 9, 2014

Dewey: 822.91409

LCCN: 2012451212

Lexile Code: 0000

Features: Bibliography, Dust Cover, Index

Target Age Group: NA to NA

Physical Info: 1.00" H x 8.60" L x 5.40" W ( 1.00 lbs) 288 pages

Series: Decades of Modern British Playwriting

Descriptions, Reviews, etc.

Description: A critical study of the theatre produced in the 1990s with an in-depth analysis of the work of four key playwrights from the decade.

Brief description:

Aleks Sierz is the theatre critic of Tribune and a freelance theatre reviewer. He is a lecturer in modern British theatre whose seminal study, In-Yer-Face Theatre, defined a new generation of writers and their work. In 2006 Methuen Drama published his guide, The Theatre of Martin Crimp, which was followed up by 2012's Modern British Playwriting: the 1990s. Sierz's journalism has featured in the Sunday Times, the Daily Telegraph and the Independent. He is a widely read, highly regarded critic of modern British theatre.

Aleks Sierz FRSA is Visiting Professor at Rose Bruford College, London, UK, and author of In-Yer-Face Theatre: British Drama Today (Faber, 2001), John Osborne's Look Back in Anger (Continuum, 2008), Rewriting the Nation: British Theatre Today (Methuen Drama, 2011) and Modern British Playwriting: The 1990s (Methuen Drama 2012). He also
works as a journalist, broadcaster, lecturer and theatre critic.

Review Quotes: "For all readers interested in the historical context and significant features of 1990s British theatre, this book provides vivid and comprehensive snapshots of the period and a concise introduction to its playwrights, theatre companies, theatres, funding bodies and preoccupations...a volume that is built upon wide-ranging knowledge and excellent research, is full of original ideas, and enthusiastically engages with Britain's theatre history and culture through the 1990s and in so doing comprises an important introduction to 1990s theatre history and criticism." --Louise LePage, Platform

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