Description: "Drawing on both historical and recent examples to trace their relationship and offer a new perspective on a topical subject, this persuasive text argues against a long-standing assumption that Islam has worked in opposition to theatrical presentation. From the 13th century puppet plays of Ibn Daniyal to Islamic themes in 21st century productions, Theatre and Islam is chronologically wide-ranging and ambitious in its scope."--Provided by publisher.
Brief description: Marvin Carlson is Distinguished Professor of Theatre, Comparative Literature and Middle Eastern Studies in the Graduate Center at the City University of New York, USA.
Review Quotes:
"Given the book's brevity, its scope is astounding, ranging from passion plays and folk traditions, to Islamic nationalist plays in the early twentieth century. Theatre and Islam is an invaluable contribution to the library of any scholar, student, or fan of world theatre." --Edward Ziter, New York University, USA
"An exhilarating, enlightening survey of the historical, social and political significance of theatre across the Islamic world, from Morocco to Indonesia." --Katherine Hennessey, American University of Kuwait, Kuwait