Description:
Vibrant Death links philosophy and poetry-based, corpo-affectively grounded knowledge seeking. It offers a radically new materialist theory of death, critically moving the philosophical argument beyond Christian and secular-mechanistic understandings. The book's ethico-political figuration of vibrant death is shaped through a pluriversal conversation between Deleuzean philosophy, neo-vitalist materialism and the spiritual materialism of decolonial, queerfeminist poet and scholar Gloria Anzaldua. The book's posthuman deexceptionalizing of human death unfurls together with a collection of poetry, and autobiographical stories. They are analysed through the lens of a posthuman, queerfeminist revision of the method of autophenomenography (phenomenological analysis of autobiographical material).
Nina Lykke explores the speaking position of a mourning, queerfeminine "I", who contemplates the relationship with her dead beloved lesbian life partner. She reflects on her enactment of processes of co-becoming with the phenomenal and material traces of the deceased body, and the new assemblages with which it has merged through death's material metamorphoses: becoming-ashes through cremation, and becoming-mixed-with-algae-sand when the ashes were scattered across a seabed made of fiftyfive million-year-old, fossilized algae. It is argued that the mourning "I"'s intimate bodily empathizing (theorized as symphysizing) with her deceased, queermasculine beloved life partner facilitates the processes of vitalist-material and spiritual-material co-becoming, and the rethinking of death from a new and different perspective than that of the sovereign, philosophical subject.Brief description: Nina Lykke is Professor Emerita of Gender Studies, Linköping University, Sweden, and Adjunct Professor at Aarhus University, Denmark. She is also a poet and writer, and is author of Feminist Studies: A Guide to Intersectional Theory, Methodology and Writing(2012) and editor of Writing Academic Texts Differently, Intersectional Feminist Methodologies and the Playful Art of Writing(2014)
Review Quotes:
"Lykke challenges the entrenched dualist, Christian, secular, and colonial understandings of death and mourning by allowing her excessive mourning to continue unbounded ... By opening the door to a new understanding of death and mourning, Lykke leaves the reader with a deep sense of love and connection to the world and has us join her in asking, "what if every critter's death was vibrant?"" --Journal of Lesbian Studies
"Composed of ashes, pearls, diatoms, longing and audacious thought, this book takes the reader beyond the life/death threshold, to an encounter with the posthuman that is both spectral and inexorably material. Nina Lykke takes posthumanist scholarship to a new place." --Maggie MacLure, Professor Emerita, Manchester Metropolitan University, UK "Through an interweaving of dimensions such as photography, poetry, storytelling, opera, miraculous co-becomings and philosophical reflections, Vibrant Death invites us to a process of un-learning of death beyond the idea of static nothingness. This book is a radical, sensorial and transformative project" --Katja Aglert, independent artist and Professor of Art, Linköping University, Sweden "Vibrant Death is simply stunning across all registers: affective, methodological, theoretical and poetic. As a magical "travelogue", its range and depth of inquiry around the issues of death and mourning are fearless and startlingly innovative. Lykke gives us a relentlessly posthuman, queerfeminist text that beautifully exemplifies an erotics of connection." --Margrit Shildrick, Guest Professor of Gender and Knowledge Production, Stockholm University, Sweden