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Hedda Gabler

Contributor(s): Ibsen, Henrik (Author), Duncan, Sophie (Editor), Stevens, Jenny (Editor), Meyer, Michael (Translator), Megson, Chris (Editor), Nichols, Matthew (Editor), Freeman, Sara (Editor)

ISBN: 9781350110069

Publisher: Methuen Drama

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Pub Date: April 7, 2022

Lexile Code: 0000

Features: Price on Product

Target Age Group: NA to NA

Physical Info: 0.39" H x 7.84" L x 5.26" W ( 0.28 lbs) 144 pages

Series: Student Editions

Descriptions, Reviews, etc.

Description:

Too frightened of scandal to become involved with a brilliant writer, Hedda Gabler opts instead for a conventional but loveless marriage. But, when her first love returns with a masterpiece that might threaten her husband's career, Hedda decides to take drastic and fatal action.

Universally condemned in 1890 when it was written, Hedda Gabler has subsequently become one of Ibsen's most performed and studied plays. Blending comedy and tragedy, Ibsen probes the thwarted aspirations and hidden anxieties of his characters against a backdrop of contemporary social Habits and hypocrisies.

This Methuen Drama Student Edition is published with Michael Meyer's classic translation, and with commentary and notes by Dr. Sophie Duncan. These offer a contemporary lens on the play's gender politics, and consider some key twentieth and twenty-first century productions of Hedda Gabler, which include actresses like Maggie Smith, Harriet Walker, and Ruth Wilson taking on the iconic titular role.

Brief description: Henrik Ibsen (1828-1906) has been described as 'the father of modern theatre'. Most of his early plays were traditional historical dramas. After 'Peer Gynt', a fairy-tale fantasy in verse, Ibsen wrote the rest of his plays in prose, and came to be regarded as the great Naturalist dramatist.

Review Quotes: "The production of an Ibsen play impels the inquiry, What is the province of art? If it be to elevate and refine, as we have hitherto humbly supposed, most certainly it cannot be said that the works of Ibsen have the faintest claim to be artistic. We see no ground on which his method is defensible...Things rank and gross in nature alone have place in the mean and sordid philosophy of Ibsen." --Excerpt from an original review, 1890s, Saturday Morning Review

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