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Post-Columbus Syndrome: Identities, Cultural Nationalism, and Commemorations in the Caribbean (2014)

Contributor(s): Viala, F (Author)

ISBN: 9781349495405

Publisher: Palgrave MacMillan

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Pub Date: December 18, 2015

Dewey: 810.99729

Lexile Code: 0000

Features: Illustrated

Target Age Group: NA to NA

Physical Info: 0.62" H x 8.50" L x 5.50" W ( 0.76 lbs) 282 pages

Series: New Caribbean Studies

Descriptions, Reviews, etc.

Description: "The islands of the Caribbean demonstrated a complex and heterogeneous response the 500th anniversary of the "Discovery of the New World." Feeling threatened by new forms of exploitation at the time, they responded by narrating their heritage and commemorating their hybrid identity in scenarios meant to protect a sense of national belonging. Columbus, as a hero of both Spanish and colonial history, became a reservoir of metaphors with which confront anxieties of the present with myths of the past. Commissions to debate the meaning of Columbus's arrival in the region were launched nationally on some islands, with different and uneven consequences in the commemorative public sphere in the Hispanic, English and French Caribbean. Jamaica condemned Columbus as a pirate; the Dominican Republic commemorated him as a Hispanic godfather, but Haiti toppled his statue. In Cuba and in Puerto Rico, the Taaino heritage was at the forefront of the commemorations, while in Guadeloupe and Martinique, Columbus was publically trialled"--

Review Quotes:

"In The Post-Columbus Syndrome, Fabienne Viala takes the reader on a tour de force of the Caribbean's history, politics and art, using the 500th anniversary of Columbus's arrival in the Americas as its focal point of analysis. ... The book's seamless flow through several art forms and genres constitutes one of its greatest merits: the reader engages with Haitian novels, theatre in Martinique, Jamaican dub poetry and performative arts in Puerto Rico, amongst others." (Jorge Sarasola, OCCT Oxford Comparative Criticism Translation, occt.ox.ac.uk, June, 2018)

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